David Stychno / Specudocobservation

God bless you Mr Crane.

2012-02-15T14:38:00.001-08:00

Always looking / Brock Davis (via John Won)

2012-02-11T11:41:00.000-08:00

2012-01-10T14:42:00.001-08:00

Angkor wat

2012-01-02T11:31:00.001-08:00

http://spacecollective.org/AndyGilmore/3043/PlanAngkor-Wat

2011-11-21T16:33:00.001-08:00

http://www.flickr.com/photos/soundofdesign/sets/72157627179269394/

2011-11-21T16:29:00.001-08:00

2011-11-15T05:30:00.001-08:00

2011-10-18T20:47:00.001-07:00

height="360">

MEAT

2011-08-24T21:02:00.001-07:00

Hot

2011-05-15T15:16:00.001-07:00

Branca

2011-03-17T08:20:00.001-07:00

Thanks Gen.

Branca from Juriaan Booij on Vimeo.

2011-01-24T10:49:00.000-08:00

2011-01-24T10:48:00.001-08:00

Life Expectancy x Income x 200 years

2011-01-07T06:33:00.001-08:00

Thanks Tony

First Follower [via Goligorsky]

2010-12-20T08:33:00.001-08:00

2010-12-13T08:14:00.000-08:00

Milton Glaser -- Ten Things I Have Learned

2010-10-26T14:14:00.000-07:00

Part of AIGA Talk in London
November 22, 2001

1
YOU CAN ONLY WORK FOR PEOPLE THAT YOU LIKE.
This is a curious rule and it took me a long time to learn because in fact at the beginning of my practice I felt the opposite. Professionalism required that you didn’t particularly like the people that you worked for or at least maintained an arms length relationship to them, which meant that I never had lunch with a client or saw them socially. Then some years ago I realised that the opposite was true. I discovered that all the work I had done that was meaningful and significant came out of an affectionate relationship with a client. And I am not talking about professionalism; I am talking about affection. I am talking about a client and you sharing some common ground. That in fact your view of life is someway congruent with the client, otherwise it is a bitter and hopeless struggle.

2
IF YOU HAVE A CHOICE NEVER HAVE A JOB.
One night I was sitting in my car outside Columbia University where my wife Shirley was studying Anthropology. While I was waiting I was listening to the radio and heard an interviewer ask ‘Now that you have reached 75 have you any advice for our audience about how to prepare for your old age?’ An irritated voice said ‘Why is everyone asking me about old age these days?’ I recognised the voice as John Cage. I am sure that many of you know who he was – the composer and philosopher who influenced people like Jasper Johns and Merce Cunningham as well as the music world in general. I knew him slightly and admired his contribution to our times. ‘You know, I do know how to prepare for old age’ he said. ‘Never have a job, because if you have a job someday someone will take it away from you and then you will be unprepared for your old age. For me, it has always been the same every since the age of 12. I wake up in the morning and I try to figure out how am I going to put bread on the table today? It is the same at 75, I wake up every morning and I think how am I going to put bread on the table today? I am exceedingly well prepared for my old age’ he said.
3
SOME PEOPLE ARE TOXIC AVOID THEM.
This is a subtext of number one. There was in the sixties a man named Fritz Perls who was a gestalt therapist. Gestalt therapy derives from art history, it proposes you must understand the ‘whole’ before you can understand the details. What you have to look at is the entire culture, the entire family and community and so on. Perls proposed that in all relationships people could be either toxic or nourishing towards one another. It is not necessarily true that the same person will be toxic or nourishing in every relationship, but the combination of any two people in a relationship produces toxic or nourishing consequences. And the important thing that I can tell you is that there is a test to determine whether someone is toxic or nourishing in your relationship with them. Here is the test: You have spent some time with this person, either you have a drink or go for dinner or you go to a ball game. It doesn’t matter very much but at the end of that time you observe whether you are more energised or less energised. Whether you are tired or whether you are exhilarated. If you are more tired then you have been poisoned. If you have more energy you have been nourished. The test is almost infallible and I suggest that you use it for the rest of your life.

4
PROFESSIONALISM IS NOT ENOUGH or THE GOOD IS THE ENEMY OF THE GREAT.
Early in my career I wanted to be professional, that was my complete aspiration in my early life because professionals seemed to know everything - not to mention they got paid for it. Later I discovered after working for a while that professionalism itself was a limitation. After all, what professionalism means in most cases is diminishing risks. So if you want to get your car fixed you go to a mechanic who knows how to deal with transmission problems in the same way each time. I suppose if you needed brain surgery you wouldn’t want the doctor to fool around and invent a new way of connecting your nerve endings. Please do it in the way that has worked in the past.
Unfortunately in our field, in the so-called creative – I hate that word because it is misused so often. I also hate the fact that it is used as a noun. Can you imagine calling someone a creative? Anyhow, when you are doing something in a recurring way to diminish risk or doing it in the same way as you have done it before, it is clear why professionalism is not enough. After all, what is required in our field, more than anything else, is the continuous transgression. Professionalism does not allow for that because transgression has to encompass the possibility of failure and if you are professional your instinct is not to fail, it is to repeat success. So professionalism as a lifetime aspiration is a limited goal.

5
LESS IS NOT NECESSARILY MORE.
Being a child of modernism I have heard this mantra all my life. Less is more. One morning upon awakening I realised that it was total nonsense, it is an absurd proposition and also fairly meaningless. But it sounds great because it contains within it a paradox that is resistant to understanding. But it simply does not obtain when you think about the visual of the history of the world. If you look at a Persian rug, you cannot say that less is more because you realise that every part of that rug, every change of colour, every shift in form is absolutely essential for its aesthetic success. You cannot prove to me that a solid blue rug is in any way superior. That also goes for the work of Gaudi, Persian miniatures, art nouveau and everything else. However, I have an alternative to the proposition that I believe is more appropriate. ‘Just enough is more.’

6
STYLE IS NOT TO BE TRUSTED.
I think this idea first occurred to me when I was looking at a marvellous etching of a bull by Picasso. It was an illustration for a story by Balzac called The Hidden Masterpiece. I am sure that you all know it. It is a bull that is expressed in 12 different styles going from very naturalistic version of a bull to an absolutely reductive single line abstraction and everything else along the way. What is clear just from looking at this single print is that style is irrelevant. In every one of these cases, from extreme abstraction to acute naturalism they are extraordinary regardless of the style. It’s absurd to be loyal to a style. It does not deserve your loyalty. I must say that for old design professionals it is a problem because the field is driven by economic consideration more than anything else. Style change is usually linked to economic factors, as all of you know who have read Marx. Also fatigue occurs when people see too much of the same thing too often. So every ten years or so there is a stylistic shift and things are made to look different. Typefaces go in and out of style and the visual system shifts a little bit. If you are around for a long time as a designer, you have an essential problem of what to do. I mean, after all, you have developed a vocabulary, a form that is your own. It is one of the ways that you distinguish yourself from your peers, and establish your identity in the field. How you maintain your own belief system and preferences becomes a real balancing act. The question of whether you pursue change or whether you maintain your own distinct form becomes difficult. We have all seen the work of illustrious practitioners that suddenly look old-fashioned or, more precisely, belonging to another moment in time. And there are sad stories such as the one about Cassandre, arguably the greatest graphic designer of the twentieth century, who couldn’t make a living at the end of his life and committed suicide.
But the point is that anybody who is in this for the long haul has to decide how to respond to change in the zeitgeist. What is it that people now expect that they formerly didn’t want? And how to respond to that desire in a way that doesn’t change your sense of integrity and purpose.
7
HOW YOU LIVE CHANGES YOUR BRAIN.
The brain is the most responsive organ of the body. Actually it is the organ that is most susceptible to change and regeneration of all the organs in the body. I have a friend named Gerald Edelman who was a great scholar of brain studies and he says that the analogy of the brain to a computer is pathetic. The brain is actually more like an overgrown garden that is constantly growing and throwing off seeds, regenerating and so on. And he believes that the brain is susceptible, in a way that we are not fully conscious of, to almost every experience of our life and every encounter we have. I was fascinated by a story in a newspaper a few years ago about the search for perfect pitch. A group of scientists decided that they were going to find out why certain people have perfect pitch. You know certain people hear a note precisely and are able to replicate it at exactly the right pitch. Some people have relevant pitch; perfect pitch is rare even among musicians. The scientists discovered – I don’t know how - that among people with perfect pitch the brain was different. Certain lobes of the brain had undergone some change or deformation that was always present with those who had perfect pitch. This was interesting enough in itself. But then they discovered something even more fascinating. If you took a bunch of kids and taught them to play the violin at the age of 4 or 5 after a couple of years some of them developed perfect pitch, and in all of those cases their brain structure had changed. Well what could that mean for the rest of us? We tend to believe that the mind affects the body and the body affects the mind, although we do not generally believe that everything we do affects the brain. I am convinced that if someone was to yell at me from across the street my brain could be affected and my life might changed. That is why your mother always said, ‘Don’t hang out with those bad kids.’ Mama was right. Thought changes our life and our behaviour. I also believe that drawing works in the same way. I am a great advocate of drawing, not in order to become an illustrator, but because I believe drawing changes the brain in the same way as the search to create the right note changes the brain of a violinist. Drawing also makes you attentive. It makes you pay attention to what you are looking at, which is not so easy.

8
DOUBT IS BETTER THAN CERTAINTY.
Everyone always talks about confidence in believing what you do. I remember once going to a class in yoga where the teacher said that, spirituality speaking, if you believed that you had achieved enlightenment you have merely arrived at your limitation. I think that is also true in a practical sense. Deeply held beliefs of any kind prevent you from being open to experience, which is why I find all firmly held ideological positions questionable. It makes me nervous when someone believes too deeply or too much. I think that being sceptical and questioning all deeply held beliefs is essential. Of course we must know the difference between scepticism and cynicism because cynicism is as much a restriction of one’s openness to the world as passionate belief is. They are sort of twins. And then in a very real way, solving any problem is more important than being right. There is a significant sense of self-righteousness in both the art and design world. Perhaps it begins at school. Art school often begins with the Ayn Rand model of the single personality resisting the ideas of the surrounding culture. The theory of the avant garde is that as an individual you can transform the world, which is true up to a point. One of the signs of a damaged ego is absolute certainty.
Schools encourage the idea of not compromising and defending your work at all costs. Well, the issue at work is usually all about the nature of compromise. You just have to know what to compromise. Blind pursuit of your own ends which excludes the possibility that others may be right does not allow for the fact that in design we are always dealing with a triad – the client, the audience and you.
Ideally, making everyone win through acts of accommodation is desirable. But self-righteousness is often the enemy. Self-righteousness and narcissism generally come out of some sort of childhood trauma, which we do not have to go into. It is a consistently difficult thing in human affairs. Some years ago I read a most remarkable thing about love, that also applies to the nature of co-existing with others. It was a quotation from Iris Murdoch in her obituary. It read ‘ Love is the extremely difficult realisation that something other than oneself is real.’ Isn’t that fantastic! The best insight on the subject of love that one can imagine.

9
ON AGING.
Last year someone gave me a charming book by Roger Rosenblatt called ‘Ageing Gracefully’ I got it on my birthday. I did not appreciate the title at the time but it contains a series of rules for ageing gracefully. The first rule is the best. Rule number one is that ‘it doesn’t matter.’ ‘It doesn’t matter that what you think. Follow this rule and it will add decades to your life. It does not matter if you are late or early, if you are here or there, if you said it or didn’t say it, if you are clever or if you were stupid. If you were having a bad hair day or a no hair day or if your boss looks at you cockeyed or your boyfriend or girlfriend looks at you cockeyed, if you are cockeyed. If you don’t get that promotion or prize or house or if you do – it doesn’t matter.’ Wisdom at last. Then I heard a marvellous joke that seemed related to rule number 10. A butcher was opening his market one morning and as he did a rabbit popped his head through the door. The butcher was surprised when the rabbit inquired ‘Got any cabbage?’ The butcher said ‘This is a meat market – we sell meat, not vegetables.’ The rabbit hopped off. The next day the butcher is opening the shop and sure enough the rabbit pops his head round and says ‘You got any cabbage?’ The butcher now irritated says ‘Listen you little rodent I told you yesterday we sell meat, we do not sell vegetables and the next time you come here I am going to grab you by the throat and nail those floppy ears to the floor.’ The rabbit disappeared hastily and nothing happened for a week. Then one morning the rabbit popped his head around the corner and said ‘Got any nails?’ The butcher said ‘No.’ The rabbit said ‘Ok. Got any cabbage?’

10
TELL THE TRUTH.
The rabbit joke is relevant because it occurred to me that looking for a cabbage in a butcher’s shop might be like looking for ethics in the design field. It may not be the most obvious place to find either. It’s interesting to observe that in the new AIGA’s code of ethics there is a significant amount of useful information about appropriate behaviour towards clients and other designers, but not a word about a designer’s relationship to the public. We expect a butcher to sell us eatable meat and that he doesn’t misrepresent his wares. I remember reading that during the Stalin years in Russia that everything labelled veal was actually chicken. I can’t imagine what everything labelled chicken was. We can accept certain kinds of misrepresentation, such as fudging about the amount of fat in his hamburger but once a butcher knowingly sells us spoiled meat we go elsewhere. As a designer, do we have less responsibility to our public than a butcher? Everyone interested in licensing our field might note that the reason licensing has been invented is to protect the public not designers or clients. ‘Do no harm’ is an admonition to doctors concerning their relationship to their patients, not to their fellow practitioners or the drug companies. If we were licensed, telling the truth might become more central to what we do.

rise

2010-10-26T07:17:00.001-07:00

2010-10-06T19:33:00.001-07:00

FOTB 2010 Titles from Süperfad on Vimeo.

2010-09-23T13:58:00.001-07:00

2010-09-04T11:36:00.001-07:00

post-it notes for neighbors

2010-09-02T06:55:00.001-07:00

http://urbanomnibus.net/2009/02/post-it-notes-for-neighbors/

2010-08-30T08:07:00.001-07:00

Hi-Fi from bante on Vimeo.

beardy

2010-08-24T14:25:00.000-07:00

http://www.etsy.com/listing/54362729/red-striped-bearded-beanie-lxl

play, play, play

2010-08-24T13:37:00.001-07:00

WORDS from Everynone on Vimeo.

Windows rubber bands

2010-07-22T13:42:00.001-07:00

http://www.engadget.com/2010/07/22/new-microsoft-brand-logos-company-tagline-revealed-at-mgx-event/

2010-07-12T13:58:00.001-07:00

1

2010-07-12T13:51:00.000-07:00

Mobile concept with some thoughtful complimentary UI/ID details.

2010-06-29T06:09:00.000-07:00

Love the scroll bar along the bottom.

WOD 01

2010-06-12T10:23:00.001-07:00

2010-05-25T12:12:00.001-07:00

Burble.

2010-04-27T19:59:00.000-07:00

2010-04-04T20:13:00.001-07:00

Coach Wilson would be proud.

2010-04-04T20:04:00.000-07:00

Where's Andorra?

2010-03-08T10:14:00.000-08:00

Love this map. Impressed with the emphasis on clarity over precision, though I don't prefer it.

Red paste for the umami. Thanks Dan D.

2010-02-10T17:43:00.000-08:00

http://www.gladwell.com/2004/2004_09_06_a_ketchup.html

Purification

2010-02-10T10:29:00.000-08:00

2010-01-26T16:41:00.001-08:00

Flower PlayStation 3 Gameplay - Seeing It Through

http://www.nytimes.com/2010/01/12/technology/personaltech/12gesture.html?em

2010-01-13T08:27:00.001-08:00

Try not to stare.

2010-01-12T10:21:00.001-08:00

Via Mia B.
More here.

African hand drawn movie posters

2010-01-08T12:49:00.000-08:00

Thanks cramer.

2010-01-04T10:10:00.001-08:00

Mag+ from Bonnier on Vimeo.

The internet can't do this. Sort of.

2009-12-17T09:29:00.000-08:00

New Aol

2009-12-13T14:17:00.001-08:00

AOL / Pointer Swarm from Universal Everything on Vimeo.

2009-12-13T10:02:00.000-08:00

Barf?

2009-12-13T09:48:00.000-08:00

Ask me three years ago if I'd ever wear a scarf and I would smush my eyebrows confused.
Beanies — which I've since learned is a mostly left-coast term for knitted hats or caps — were standard, useful and somewhat collected — but scarves, nope. Then I moved to Boston, and I carry a charcoal gray one around dec-april. I love the beanie, and I need the scarf now, so why not combine the two? Has this been done? I'd buy one. Maybe a few. Kind of like a snuggie but way better.

NYT idealist 2009

2009-12-13T08:14:00.001-08:00

Head

2009-11-03T06:40:00.000-08:00

Halloween is a great excuse to make stuff.
Ended up with a giraffe head this year, but only about 2 hour's worth. Basically just good enough to pass.
Head really inspires me to take it to the next level.

Rapid Stackin

2009-09-30T06:31:00.001-07:00

Wabble wabble, shake it shake it.

2009-08-05T11:09:00.001-07:00

stunning bass-string shot from urbanscreen on Vimeo.

Encounters at the end of the World

2009-08-05T10:40:00.000-07:00

Zidane

2009-08-03T20:38:00.001-07:00

Before District 9

2009-08-03T08:11:00.000-07:00

Infographic + Food + Canada

2009-07-30T11:27:00.000-07:00

Hellmann’s - It’s Time for Real from CRUSH on Vimeo.

Faux Pool, FAUX REAL

2009-07-27T14:56:00.000-07:00

Leandro Erlich: Swimming Pool. At P.S.1 MoMA.

Clowns + Bullet time

2009-07-27T14:52:00.000-07:00

Bristol by Nike

2009-07-23T10:28:00.001-07:00

For Orechestra! / Radiohead

2009-07-22T19:53:00.000-07:00

IBM old skool

2009-07-22T09:03:00.001-07:00

Thanks Ellen

http://www.squareamerica.com/ib.htm

Repeat viewings

2009-07-22T08:28:00.000-07:00

I recently polled the Project M network to see which design-related websites they visit most frequently or daily.
ffffound received the most hits from about 20 respondents.

www.qbn.com
http://www.manystuff.org/
http://www.itsnicethat.com/
theroot42.org
ffffound.com
designspongeonline.com
designobserver.com
thedieline.com
vi.sualize.us
tumblr.com
lookbook.nu
hipsterrunnoff.com
http://welovetypography.com/
http://thinkingforaliving.org/
http://www.youtube.com/watch?v=Yu_moia-oVI
http://notforpaper.com/
http://motionographer.com/
http://cakewrecks.blogspot.com/
www.threeareblog.com
www.lovelypackage.com
www.underconsideration.com/brandnew
www.thecoolhunter.net
butdoesitfloat.com
http://www.swiss-miss.com/
http://www.cpluv.com/
http://www.notcot.org
http://www.designnotes.info/
www.cpluv.com
www.formfiftyfive.com
http://www.nytimes.com/pages/arts/design/index.html
http://lovelypackage.com/
http://balladora.blogspot.com/
http://grainedit.com/
http://printpattern.blogspot.com/
aiga.org
aigadesignjobs.org
aiga-atl.org
http://powersof10.tumblr.com/archive

I get it.

2009-07-12T22:19:00.000-07:00

I loved Moon because it was it was surprising and challenging, but ultimately satisfying. The trailer also revealed enough to encourage me to go see it, but didn't blow the wad. IE, not Cast Away.

Printy

2009-07-08T15:42:00.000-07:00

HP - invent from Tom and Matt on Vimeo.

Response to D&AD Student Awards brief set by Hewlett Packard.

"Present an idea which promotes HP Workstations ability to bring to life anything the creative mind can conceive."

BFF 2009

2009-07-06T15:56:00.001-07:00

ASH HOLES

2009-07-06T15:45:00.000-07:00

The latest from Project M, 2009. John B. and this year's merry band are calling attention to irresponsible toxic ash disposal in rural Alabama.

Blue Lobster

2009-07-06T15:38:00.000-07:00

Some folks waited in line four days for a crack at these puppies.
The exclusivity (only 200 available) and slick packaging carry much of the weight. Perfectly named, too.

One version of Hell.

2009-06-29T11:58:00.001-07:00

http://motionographer.com/theater/marco-brambilla-civilization/

Google Wave

2009-06-05T10:29:00.000-07:00

GOOD Transparency collection

2009-06-05T10:12:00.001-07:00

Beatles + Rockband

2009-06-03T21:46:00.001-07:00

Notable

2009-05-28T00:53:00.000-07:00

Offf Opening Titles from Kyle Cooper / Prologue

2009-05-28T00:15:00.000-07:00

OFFF 2009 Main Titles from Prologue! from OFFF on Vimeo.

Joshua Tree Trashitecture

2009-04-15T09:44:00.000-07:00

Thanks John B.

http://www.nytimes.com/2009/04/09/garden/09joshua.html?_r=2&no_interstitial

People x Object = Better

2009-04-07T17:07:00.000-07:00

The Lost Tribes of New York City from Carolyn London on Vimeo.

Siftables!

2009-03-18T14:05:00.000-07:00

David Merrill visited our office today to share his MIT thesis work exploring the intersection of physicality and "generalizability" within computer interactions. Whaaat?
His team is developing a cookie-sized computer platform that is bursting with potential in how we interact with computers as objects.

Here's his presentation from TED 2009.

Sushi Boat Cam

2009-03-02T11:51:00.000-08:00

I love this. The explosion of tiny cameras like the Flip have opened up countless doors for new perspectives on filming. What are some other cool journeys we could film, or where we can 'boomerang' the camera to capture something we couldn't have otherwise.

Nice kicks

2009-02-27T10:14:00.000-08:00

Marloes
Thanks Yona.

Cornelius "Sensuous"

2009-02-26T11:08:00.000-08:00

Ork Posters

2009-02-12T16:41:00.000-08:00

Smarter Tattoos

2009-02-12T16:38:00.000-08:00

How else could we benefit from color-shifting "smart" tattoos?

Jobs on Rand

2009-02-08T18:06:00.000-08:00

Here's a short conversation with Jobs focused mostly on his experience working with Rand on the NeXT identity.

"I will solve your problem. And you will pay me."

Human Centered Design at Olin

2009-02-04T07:31:00.000-08:00

I Lego NY

2009-02-03T10:49:00.000-08:00

Mmmmm. Cat Sandwich.

2009-01-12T15:22:00.001-08:00

Nokia Morph

2009-01-07T22:12:00.000-08:00

Mad Scientist of football

2009-01-07T22:09:00.000-08:00

John B prefers to call him the "think wrong" coach (and thanks for the tip). I'm excited to watch Texas Tech next season.

Watch CBS Videos Online

Goodbye 8, hello 9.

2008-12-31T09:47:00.000-08:00

169 classic end-title cards here.

Juan Enriquez at Pop!Tech 2008

2008-12-16T20:51:00.000-08:00

I still intend to post my notes from this year's conference, but in the mean time thought I should get this video up. Juan's presentation about the creation and consequences of the global credit crisis was by far the most sobering and powerful. I also wanted to mention NPR's 2-part coverage on the ongoing saga, the first of which, "The Giant Pool of Money", was personally very helpful in making sense of what created the mess we find ourselves in.

Juan Enriquez (2008) Pop!Tech Pop!Cast from PopTech on Vimeo.

Museum roundup

2008-11-29T16:05:00.000-08:00

Marfa/chinati
ICA / Anish kapoor , tara donovan
Mass moca
New museum, werner hergoz
MAD / found objects

IDEO, the global machine.

2008-11-13T17:13:00.000-08:00

IDEO Global Chain Reaction from IDEO Labs on Vimeo.

E Pro

2008-10-16T22:12:00.001-07:00

Brand boosting with the truth

2008-10-15T07:31:00.001-07:00

whiteboard kicks

2008-10-08T10:47:00.000-07:00

http://slamonline.com/online/2008/10/reebok-gives-you-a-canvas-2/

Clover + Clover

2008-08-27T17:06:00.000-07:00

A few "clovers" have surfaced on my radar lately. The first is the brilliant new restaurant start-up: vegetarian fast food for non-vegetarians. McKinsey alum and Founder, Ayr Muir, shared with us his progress and prototyping strategy — which seems like a great approach. Catch up with the CloverLab here.

The other clover is starting to surface at select 'Bucks in Seattle, Sf and Boston. The brew created from this single-serving coffee machine was prized the "best cup of coffee I've ever tasted" by Howard Shultz. Starbucks bought the tiny Coffee Equipment Company that developed the device (founded by ex-ideoer Zander Nosler) back in March 08. Wired says it tastes a lot like hype.

Radiohead The Show

2008-08-15T18:36:00.002-07:00

Lebron / Andy

2008-08-15T18:36:00.001-07:00

Best flip chart presentation ever.

2008-08-15T18:35:00.000-07:00

Wireless power

2008-08-02T22:25:00.000-07:00

Developed by Powercast. Tons of cool potential.

marfa

2008-08-01T18:23:00.001-07:00

wireless brand experience

2008-08-01T18:22:00.002-07:00

destination architecture

2008-08-01T18:22:00.001-07:00